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  <body-html>&lt;p&gt;In this issue:&lt;/p&gt;


	&lt;p&gt;Cover Art: Jeremiah Ketner&lt;/p&gt;


	&lt;p&gt;The Thing with Feathers/Strange Waters/Scared Sacred/All About Dust/Perceptions of Reality&amp;#8230;&lt;/p&gt;


	&lt;p&gt;And Today: Featuring The Duke of Cambridge pub in London, England, the blight of plastic in Somalialand, Africa, the first non-profit pharmaceutical company in the U.S., environmentally-responsible lighting in places like Afghanistan, Nepal, Sri Lanka and Peru, and &lt;span class=&quot;caps&quot;&gt;WOFAK &lt;/span&gt;(Women Fighting &lt;span class=&quot;caps&quot;&gt;AIDS&lt;/span&gt; in Kenya).&lt;/p&gt;


	&lt;p&gt;Interview: Bruce Cockburn, by Darren Hughes&lt;br /&gt;&amp;#8220;If ever there was a need for a Jeremiah to come along and to rant at us, it&amp;#8217;s now&amp;#8230;&amp;#8221;&lt;/p&gt;


	&lt;p&gt;Adventure: Into the Image, a portrait of Heiko Schlieper, by Matthew Francis&lt;br /&gt;&amp;#8221;...He offered to hold the wood steady for me. I accepted. And that is how, on our second meeting, I smashed the fingers of Canada&amp;#8217;s foremost iconographer with a heavy hammer.&amp;#8221;&lt;/p&gt;


	&lt;p&gt;Film Journey, by Doug Cummings&lt;br /&gt;&amp;#8220;One of the reasons I like the phrase &amp;#8216;film journey&amp;#8217; is because it implies two things, that movies comprise a way of going somewhere &amp;#8211; moving toward something &amp;#8211; and that I am actively attempting both endeavors&amp;#8230;&amp;#8221;&lt;/p&gt;


	&lt;p&gt;Farther In: A Martian Odyssey and Stanley G. Weinbaum, by Darren Cummings&lt;br /&gt;&amp;#8220;Then it appeared. In the July 1934 edition of his Wonder Stories, Hugo Gernsback (after whom is named the &amp;#8216;Hugo&amp;#8217;, science fiction&amp;#8217;s highest award conferred by fans)ran a tale by a completely new author, Stanley G. Weinbaum. With the publication of that short story, science fiction became a new form of literature&amp;#8230;&amp;#8221;&lt;/p&gt;


	&lt;p&gt;Random Access: Writers of San Quentin, by Zoe Mullery&lt;br /&gt;&amp;#8220;Every Wednesday at San Quentin State Prison, California&amp;#8217;s oldest correctional institution, a small group of writers gathers for a Creative Writing Class&amp;#8230;&amp;#8221;&lt;/p&gt;


	&lt;p&gt;And more!&lt;/p&gt;


	&lt;p&gt;Artwork by Jeremiah Ketner, James Jensen, Chris Miller, Rachell Sumpter, Toni Hafkenscheid, and Starfish Glassworks.&lt;/p&gt;</body-html>
  <created-at type="datetime">2008-01-14T15:52:32-07:00</created-at>
  <handle>beyond-issue-14-possible-worlds</handle>
  <id type="integer">1299932</id>
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  <published-at type="datetime">2008-01-14T15:52:32-07:00</published-at>
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  <title>Issue 14: Possible Worlds</title>
  <updated-at type="datetime">2008-01-20T19:22:39-07:00</updated-at>
  <vendor>Beyond</vendor>
  <tags>14, issue, magazine</tags>
  <body>In this issue:

Cover Art: Jeremiah Ketner

The Thing with Feathers/Strange Waters/Scared Sacred/All About Dust/Perceptions of Reality...

And Today: Featuring The Duke of Cambridge pub in London, England, the blight of plastic in Somalialand, Africa, the first non-profit pharmaceutical company in the U.S., environmentally-responsible lighting in places like Afghanistan, Nepal, Sri Lanka and Peru, and WOFAK (Women Fighting AIDS in Kenya).

Interview: Bruce Cockburn, by Darren Hughes
&quot;If ever there was a need for a Jeremiah to come along and to rant at us, it's now...&quot;

Adventure: Into the Image, a portrait of Heiko Schlieper, by Matthew Francis
&quot;...He offered to hold the wood steady for me. I accepted. And that is how, on our second meeting, I smashed the fingers of Canada's foremost iconographer with a heavy hammer.&quot;

Film Journey, by Doug Cummings
&quot;One of the reasons I like the phrase 'film journey' is because it implies two things, that movies comprise a way of going somewhere - moving toward something - and that I am actively attempting both endeavors...&quot;

Farther In: A Martian Odyssey and Stanley G. Weinbaum, by Darren Cummings
&quot;Then it appeared. In the July 1934 edition of his Wonder Stories, Hugo Gernsback (after whom is named the 'Hugo', science fiction's highest award conferred by fans)ran a tale by a completely new author, Stanley G. Weinbaum. With the publication of that short story, science fiction became a new form of literature...&quot;

Random Access: Writers of San Quentin, by Zoe Mullery
&quot;Every Wednesday at San Quentin State Prison, California's oldest correctional institution, a small group of writers gathers for a Creative Writing Class...&quot;

And more!

Artwork by Jeremiah Ketner, James Jensen, Chris Miller, Rachell Sumpter, Toni Hafkenscheid, and Starfish Glassworks.</body>
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